|
Instrumental
Music Program
The instrumental music program at KlezKamp is designed to provide insights and challenges to instrumentalists at all levels of proficiency and familiarity with klezmer style.
To insure proper placement in all classes and ensembles, first-time instrumental applicants
must submit a short work-sample mp3 (about 2–5 minutes long) with name, e-mail/phone,
track names, playing level on each instrument. Please e-mail mp3 by Dec. 5 to klezmer@optonline.net.
Beginning Instruments/AM1 Ken Maltz
For students not sufficiently skilled to benefit from instruction in the elements of klezmer
style, this class will introduce traditional klezmer modes and tunes. We’ll discuss how to
learn tunes by ear and focus on the mechanics of the music.
Instruments/AM1
These classes, grouped by specific instrument, are aimed at the intermediate or advanced
student who seeks instruction in the specific techniques of klezmer playing and an
understanding of how that instrument functions in a klezmer band.
Melodic Ornamentation: Skeletons in a Worthy Closet/AM1 Adrianne Greenbaum
Creating melodic ornamentation that preserves and enhances rather than obliterates. We
will explore baroque-period how-to lessons, listen to early klezmer recordings and pay
attention to early folios, learning how to perform tasteful melodies. Everyone will create an
ornamented line from a skeleton, and treat an ornamented line, reducing it to its skeleton.
An old tradition that has lost its way. Best for melody and secondary-line instrumentalists.
Elements of Yiddish Music/PM1 Sherry Mayrent
Take a trip through the sonic world of the shtetl. This class examines the modes that comprise traditional Yiddish melody as well as harmonic and rhythmic elements in traditional
instrumental style. Ability to read music is helpful but not required. For both musicians
(instrumental and vocal) and non-musicians wishing to listen with a more educated ear.
Girls Don’t Play Drums!/PM1 Elaine Hoffman Watts
Did your parents ever say this to you? If so, this class is for you. Drum lessons for all those
women and girls who always wanted to play them!
Composing on the Computer/PM1 Alan Zemel
Bring your laptop, iPad, favorite musicmaking software and other electronic music-making toys to a creative seminar on composing and arranging klezmer and related styles. Whether a beginning composer or advanced, you should have some experience with computer music
software/hardware. A synthesizer and an audio and MIDI interface will be available (but we can’t guarantee they will function with your own computer). Our goal: to produce a CD of our compositions.
Make Them Dance!/PM2 Jim Guttmann and Steve Weintraub
Participants will take turns playing music for each other to dance to, developing a deeper
understanding of what makes music danceable. Open to intermediate and advanced
students. Dancers are always welcome.
It’s Better with a Band!—Singing with a Band/Playing for a Singer/PM1
Joanne Borts and Ken Maltz
Intensive workshop for advanced vocalists and ensemble instrumentalists, focusing on
“how to play well with others.” Singers should bring lead sheets/charts for at least 5 pieces;
instrumentalists should be able to read music and be familiar with standard repertoire.
Beginners' Ensemble/AM2 Benjy Fox-Rosen
Based on the popular Slow Jam, this group will concentrate on playing through a large
number of tunes. Beginning students will gain experience playing in all genres and try out
what they have learned in their instrument classes. Not a performing ensemble.
Traditional Ensembles (for Instrumental Players)/AM2
These are ensembles for instrumentalists in which we will prepare a piece for presentation
at the student concert. Suitable for any level.
The Plucked Orchestra/AM2 Alan Zemel
An ensemble experience featuring plucked string instruments such as mandolins, domras,
balalaikas, banjos, guitars, ukeleles, basses, tamburitzas, and anything else you can think of.
Ability to read music is a definite plus, but not required.
Fidl Kapelye/PM2 Amy Zakar
Open to all bowed string instruments.
Dance Bands
These bands are a great way for advanced students to learn staples of the klezmer
repertoire. Those who sign up for a band are making a commitment to perform several
evenings, often quite late at night.
Reading Band (reading from music)/PM1 Pete Sokolow
Ear Band (learning by ear)/PM2 Dan Blacksberg
Hasidic Dance Band/PM2 Mike Cohen
Slow Jam/Benjy Fox-Rosen
The now-traditional slow jam will again take place during the free hour before dinner. No
enrollment is required.
Youth Orchestra/AM2 Ben Holmes (see KlezKids)
| Instrumental
Music Staff: Aaron Alexander (drums), Dan Blacksberg (trombone), Lauren
Brody (accordion), Josh Dolgin (keyboard), Benjy Fox-Rosen (bass),
Adrianne Greenbaum (flute), Jim Guttmann (bass), Elaine Hoffman Watts (drums), Ben
Holmes (trumpet), Ken Maltz (clarinet), Amy Zakar (fiddle), Sherry Mayrent (clarinet), Mark Rubin (bass, tuba), Henry “Hank” Sapoznik (banjo/ tenor guitar), Pete Sokolow (keyboard), Deborah Strauss
(fiddle), Susan Watts (trumpet), Michael Winograd (clarinet), Alan Zemel (balalaika). |
|